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There are surfboards in the Honolulu
Museum - narrow ones, 20ft. in length, and hoary with age. (7.)
But the Hawaiian of today
enjoys what is. perhaps, the most exhilira-ating (sic) and exciting water
sport known with the assistance of a much shorter aid - one about eight
or nine feet long, 2ft. across, and weighing , perhaps 68lb.
The board used by Kahanamoku weighed
78lb, and was sugar pine.
He would have preferred redwood ,
but a properly seasoned piece of that particular timber , sufficiently
long, could not be procured in Sydney.
The necessary shape is almost that
of a coffin lid, with one end cut to very nearly a point.
The surf riding board is thicker
at the bottom than at the top, tapering all the way. (8.)
Kahanamoku's control of the improvisation
was wonderful, he handled it like a toy and went out fully a quarter
of a mile, riding some breakers and dashing through others with such speed
that he completely mystified Messers. W. W. Hill and Hoy, who entered the
water with him.
Mr Hoy can throw a 100 yards behind
in little more than a minute.
Not at any time in the race seaward
did either of the swimmers hold the islander for a moment, and he soon
away by himself. (9.)
The Duke lay flat upon the board,
and with arms widespread, paddled his own canoe vigorously. (10.)
Unfortunately the water was not favorable.
Kahanamoku would have preferred
a long roll.
He had to face a very short one.
"I'll do my best, anyhow," said he,
and despite that the board was new to him , and he had never before essayed
the task in Australian waters, (11.) our visitor gave an exhibition
which won the admiration of spectators who thoroughly understood the skill
of it. (12.)
It was a thrilling spectacle at
times.
This finely-built Hawaiian,
with his powerful frame showing elastic muscles, as better and more enduring
than those of a knotty nature, caught the breaker he wanted , and paddling
along for a while rose to one knee first, then became gradually erect (13.)
and
reached the crest to shoot foreword with astonishing speed and marvellous
balance considering the troubled condition (14.) of the motive power.
When the force beneath him was spent,
he plunged into the sea, and picking up his board went off to try again.
Always was the nose of the raft
(10.),
if it might be so called, kept tilted upwards, whether while shooting or
forced against the breakers.
When the surf rider found his board
hanging he stooped and paddled till it darted forward once more. (15.)
Twice he managed to traverse 100
yards or more, and several times 20 or 30 yards were covered. (16.)
It could easily be understood what
a display surf riding must be in the ocean which laves (sic) Waikiki Beach
at Honolulu, where a long roll can almost be depended upon.
There 300 and 400 yards shoots are
common.
Kahanamoku does not profess to be
a champion when in his island home, but he is, he says as good as the very
best there. (17.)
The ease and grace of his shooting
might be equalled, but it certainly could not be excelled.
As showing how much second nature
it was to him, Kahanamoku stood on his head a couple of times, and even
turned his back to the direction in which he was going, and posed. (18.)
Lying flat on the board, the Hawaiian
caused it to describe a half-circle or turn completely round without spoiling
the shoot. (19. 20.)
2. Reporter W. F. Corbett joined
The
Referee, (a Sydney sporting paper) in 1888, where he reported boxing,
swimming, lawn bowls and both codes of rugby.
He moved to the Sydney Sun in 1913. (Source
-Rabbitoh Warren)
After a journalistic career of 37 years,
he died in 1923, aged 67.
(Source -the Bulletin, Sydney, 1 November,
1923)
3. The opening sentence implicitly
criticized NSW Swimming officials who prevented the demonstration scheduled
for the previous day, much to the disappointment of an a crowd estimated
between 2000 - 3000 people.
See Corbett's report, The Sun,
December 23, 1914, page 5.
4. Only a small number of obsevers were present, compared to the large crowds reported, and shown in photographs, of later demonstrations.
5. The demonstration was with the board only, apparently enthusiasts were also anxious to see Duke Kahanamoku's body surfing skills.
6. The ancient origins of board riding is noted, information probably provided (and emphasised) by Duke Kahanamoku.
7. The boards reported as held by
the Bishop Museum probably refers to those ridden at Wakiki in the 1830's
by high chief Abner Paki and eventually restored by Tom Blake in the late
1920's.
See #502
8. The specifications appear
very close to being correct, unlike many subsequent versions.
Note the misreporting of specifications
in SMH report of 25th December.
The weights of the Freshwater board and
Duke Kahanamoku's reported Hawaiian board appears reasonable.
The Freshwater board was made from imported
sugar pine, which had some use for surfboard construction in Hawaii in
this period.
9. Demonstrated a surfboard's paddling superiority over swimming.
10. Several various terms are used
- board, surf riding board, canoe and raft.
The term surf board is not used
11. This demonstration is noted
as Duke Kahanamoku's first test of board and Australian waves.
Doubt that Hawaiian boardriding was possible
in local waves had been previously expressed by Australian swimming and/or
surfing officials .
Evidently, Duke Kahanamoku did not.
It would also seem unlikely that he had
not body surfed in Australia before this date.
12. The reporter demonstrates some
surf knowledge, particularly in noting the unsuitability of the conditions.
More importantly he notes the knowledge
of the spectators "who thoroughly understood the skill of it."
13. The importance of wave choice and rudimentary take-off instructions.
14. Probably refers to a uneven
swell or even choppy surface conditions, as indicated by photograph by
the Daily Telegraph, 25th December, 1914.
Image below.
There is no estimation of wave height.
15. Further rudimentary instructions...
- the dismount
- keeping the nose elevated when paddling
and riding.
- adjusting stance to maintain trim
16. Appears to indicate cutting-
that isangling across the wave, as opposed to riding straight towards the
beach.
Rides of 100 yards are considered substantial
by modern standards.
17. While aware of his own abilities, Duke Kahanamoku indicates that his skills are not exceptional and are attainable by others.
18. A spectatular demonstration of skill.
19. The manoeuvre "Lying flat
on the board, the Hawaiian caused it to describe a half-circle or turn
completely round without spoiling the shoot." appears to
describe a prone spinner, a manoeuvre popularized by Boogie boarders,
circa 1980.
Possibly performed in the white water
(wave of transition), and also noted in the SMH report of 25th December.
is not mentioned in any other contemporary accounts of surfing.
"He turned completely round, then
lying flat on the board, he raised himself on his hands and swung the board
from front to back and back to front, finally again standing straight up."
.
.
20. Although often noted in later
reports, there is no mention of tandem riding, Isobel Letham or the Manly
surfboat.
The Daily Telegraph
Friday 25 th December
1914 page 7.
At the invitation of the N.S.W Amateur
Swimming Association a number of newspaper
representatives, accompanied some
of the officials to witness an exhibition of surf-board riding by
Duke Paoa Kahanamoku, the world's
champion sprint swimmer, at Freshwater yesterday (Thursday
24th December 1914).
It was Kahanamoku's first attempt
at surf-board riding in Australia, and it must be admitted it was
wonderfully clever.
The conditions were against good
surfboard-riding.
The waves were of the 'dumping'
order and followed closely one on top of another.
According to the champion, board-riding
on the Waikiki Beach, Honolulu, is a pleasure and there it is
possible to shoot in over a quarter
of a mile (600 yards - 500 metres).
Then too, Kahanamoku was at disadvantage
with the board.
It weighted almost 100lb (pounds
- x kilograms), whereas the board he uses as a rule weighs less than 25lb
(25 pounds - x kilograms).
But, withal, he gave a magnificent
display, which won the cordial reponse of the onlookers.
Kahanamoku entered the water
with the board accompanied by Mr. W. W. Hill (Secretary of the
Australian Swimming Union) and some
members of the Freshwater Surf Club. Lying flat on the board
and using his arms like paddles
the champion soon left the swimmers far behind.
When he was about 400 yards out
he waited for a suitable breaker, swung the board round and came
in with it.
Once fairly started, Kahamamoku
knelt on the board, and then stood straight up, the nose of the
board being well out of the water.
But the force of the breakers never
carried him more than 50 yards.
On a couple of occassions he managed
to shoot fully 100 yards and then he cleverly demonstrated
what could be done.
He turned completely round, then
lying flat on the board, he raised himself on his hands and swung
the board from front to back and
back to front, finally again standing straight up.
If the condition of the water is
favourable when Kahanamoku makes his public appearance in
surfboard riding in Sydney it is
sure to be keenly appreciated.
2. This demonstration is noted as the first.
It appears to be a test of Australian waves, board and rider, and was
not greatly publicised.
There have may been some doubt by Australian
swimming and/or surfing officials that Hawaiian boardriding was possible
in local waves. Evidently, Duke Kahanamoku did not.
3. The reporter demonstrates some surf knowledge, particually in noting the unsuitablity of the conditions.
4. The difference in weight between the
Freshwater board and Duke Kahanamoku's reported Hawaiian board
is questionable, unless the latter was
of Koa, a lightweight native timber.
The Freshwater board was made from imported
sugar pine, which was in use that for surfboard construction in Hawaii
in this period.
5. Demonstrated a surfboard's paddling superioity over swimming.
6. The manoeuvre "He turned completely
round, then lying flat on the board, he raised himself on his hands
and swung the board from front to back
and back to front, finally again standing straight up." is unclear
but
seems to describe a prone spinner, a
manoeuvre popularized by Boogie boarders, circa 1980.
Possibly performed in the white water
(wave of transition), it is not mentioned in any other comtemporary accounts
of
surfing.
7. There is no mention of tandem riding, Isobel Letham or the Manly surfboat.
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E. S. Marks was prominant in Sydney sports. Sydney's premier athletic track is named The E.S. Marks Field. Postcard reproduced from private collection. |
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